Wednesday, February 28, 2007

Wednesday Night TV

Will have to play a lot of catch-up tomorrow, cause I missed most of tonight's stuff. Highlight for spoilers:

  • Lost: I suspect that a lot of people in forums and all that will complain about another episode that does little to answer any questions, but I hope they were able to just enjoy this episode. Cause it was interesting, well-written, well-acted, and funny.

    The scene with Hurley and Cheech in the fortune teller's shop was hilarious, and Hurley's just such a likable character that even with all the bad stuff he's going through, the whole episode was just plain fun. Maybe I'm crazy, but if what's on screen is compelling, I don't care how it relates to the overall plot. If it answers puzzles about the island, great, if not, that's great too.

    My one complaint though, was the opening credits, which listed Mira Furlan. I try not to pay attention, but one of the guys I was watching with didn't believe that that was Cheech Marin playing Hurley's dad, so we were watching for his name to prove him wrong. Then Mira Furlan shows up, and I know Rousseau's going to make an appearance.

    The weirdest moment of the episode was when Hurley came up to the beach to announce that he'd found the car, at some point there was a bunch of commotion, there was a very brief shot of Nikki being pulled backwards, seemingly against her will, by the back of her shorts. There have been hints about a relationship between Nikki and Paulo, the two most uninteresting characters ever, but if they have some kind of weird dysfunctional relationship, I might actually become interested in them. Anyway, I thought it was strange, and couldn't have been for no reason.
On the Tivo: L&O's CI & SVU, Jericho, FNL, Knights of Prosperity.

Random complaint: Attention, makers of "K20 Protein Water," if a beverage is flavored, colored, and has calories, there is no possible way to call it water. I realize you're trying to brand it as a health drink or whatever, but it seems like somebody ought to step in and stop this before Anheiser-Busch starts advertising their "Carbonated, Fermented Barley Water."

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Annie Hall - More 31 Days of Oscar

Annie Hall


My 2nd Woody Allen film of the month on TCM. This one, I'd seen bits and pieces of before, but the action jumps around all over the place, and is mostly just character and jokes, so having already seen parts didn't affect my enjoyment at all.

This is my favorite of Woody Allen's stuff that I've seen so far. Some of the jokes are very, very funny. As is typical for Allen, it gets philosophical about life and relationships and all that, but they're fairly interesting observations, mostly presented in the form of jokes. Whereas Hannah and Her Sisters changes mood from drama to comedy (with most of the storylines being almost straight drama, and Allen's character serving as comic relief), the laughs in Annie Hall are mixed in with the drama. And I think that works much better. Plus the funny parts are funnier, and the relationships are more interesting.

I also liked the New York vs Los Angeles aspect. I haven't spent much time in New York, and I've never been to LA, but I like the different mood of both cities, and just how out of place Woody seems in LA. And at the very least, it's a feeling I think everyone gets sometimes when they're lost, and is very well captured in the scene at the party in LA. Some interesting cameos, too. Paul Simon, Jeff Goldblum's on camera for a half second, Carol Kane, Christopher Walken, Shelley Duvall... probably some others I can't think of.

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Tuesday, February 27, 2007

Tuesday Night TV

No House, American Idol fever is sweeping the nation (except for everyone I know), but still plenty going on. Highlight for spoilers:

  • Gilmore Girls: Logan's business goes bust and he instantly turns back into his former jackass self. So if the series wraps up this year, not everything might be all happy happy. But the rest of the stuff is headed in happy directions. Luke and Lorelai had a bit of a moment, Rory had a meeting with a New York Times guy (A.J. Abrams is a weird choice of names... maybe he was late to coffee cause he was Lost?), Lane is going to have her twins, and Sookie will shoot out a kid before long, too. And a decent amount of Kirk, but he wasn't as funny as normal. Blah episode, as they mostly all have been this year.

  • Veronica Mars: Sadly, this is the last episode for a while. The reality competition show "Who wants to be an anonymous dancer dressed like a harlot in a crappy pop group?" also known as The Search for the Next Pussycat Doll will be taking VM's timeslot. But I was super excited about this episode, expecting the Dean's murder plot to be wrapped up.

    So the Dean shows up at Hank and Mindy's hotel room, which we already knew but Keith just found out, and threatens to divorce his wife and ruin Hank's career. The thing that stuck out here is the random mention of Landry bedding random co-eds... it could be that this was just a character detail, but it felt like it might be significant.

    Hank claims an alibi that he went to buy smokes, and that an anonymous woman (who they're very careful not to show, so you know it's important) can confirm it, if only we knew who she was. Tim the TA guy looks all kinds of guilty when the cops show up to arrest Landry, but when Landry asks for help, Tim is all over helping him, and Veronica agrees to help him out.

    While they follow the smoking lady lead to a bunch of strippers, Mindy cashes in insurance and buys a boat, looking super guilty. The stripper turns up and Landry gets released, V&T find the recording of the pre-murder phone call (and a rather amusing second one of Landry dumping on Tim). And Landry takes off, turning up on Mindy's boat.

    Veronica and Tim, or rather Ms. Crockett and Mr. Tubbs, start chasing down leads, and soon discover that the mystery stripper turns out to be the mother of a hoodlum on whose juvie board Landry served.

    Crockett and Tubbs show off some rather insane knowledge of license plates in trying to track down a cabin, but Keith out-sleuths them with street smarts and traces them to Cabo. When he shows up on the boat, Landry admits to trying to cover for her, swapping the Dean's keyboard with Botando's, and that he accidentally killed her.

    This seems all too easy. Tim takes over Landry's class, Veronica becomes the TA. And... as the resolution seems to go on too long, Tim starts talking, I got the feeling he was about to out himself as the real killer. Veronica picks up on the fact that Hank never had time to call the fake stripper, finds the bug in her phone, Tim says something he couldn't know, and there we are.

    Some Logan/Veronica/Parker drama was thrown in, too, and... who cares? One of my favorite moments, possibly ever, was when the stripper asks "Do we look like we smoke?" and Tim thinks carefully before saying "yes."

    Not an entirely unpredictable end to the mystery, but still, a fun ride. After last week's Lamb shocker, I'm cool with a few less surprises. Plus, we close on a nice Keith/Veronica moment.

Still on the Tivo: L&O's CI and SVU.

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TV Catch-up

Quick catch up before Tuesday night shows start, highlight for spoilers:

  • Everybody Hates Chris: I never knew chain snatching was an epidemic... or maybe it wasn't, and it's just an invention of the show... but it makes sense, perfectly expensive stuff being that ubiquitous. Some of the cutaway gags were very unfunny here, particularly Julius as Jack Nicholson from A Few Good Men and as Batman. This show disappointed me again, and I'm seriously considering dumping it, which is hard to believe given how much I liked the first season.
On the Tivo: nothing.

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Pennies from Heaven - More 31 Days of Oscar

Pennies From Heaven

I do not like musicals. But I do like Christopher Walken and Steve Martin, so I figured I'd give it a shot. And it was about what I expected. There were a few great moments, but mostly a bunch of singing and dancing that I didn't care for.

If that is your thing, especially the old timey musical numbers with big lines of elaborately dressed girls with the leg kicking, some tap dancing, and there always seems to be a staircase to go up or down... well this might work for you. But the story focuses on Martin as a sheet music salesman who can't catch a break. And basically has the worst luck of all time, it's a horrible story (not like a lousy story, but as in "horrible things are happening"), but he escapes into fantasies of fantastic song and dance scenes.

I was mostly in it for Walken, though, and he didn't disappoint. There's something about him, he's just so creepy, but also light on his feet. I think the movie would've worked better if he did his "potato/potato, tomato/tomato" song and dance from SNL.

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Monday, February 26, 2007

Monday Night TV

Been looking forward to Heroes a lot since last week, so right to it:

  • Prison Break: So... we don't get to hear the tape? Bastards. And they leave us with the cliffhanger with C-Note hanging himself. The show would let him die, but I think they might also let the rope break. That it's not predictable is one of the only things it has going for it.

    I don't get why they take the tape to a judge or blackmail rather than to the media. No matter how powerful the super secret people are, a massive swell of public opinion would lead to an impeachment, and the next prez would pretty much have to pardon Lincoln.

  • Heroes: So Eric Roberts, in an office that really kinda resembles Arvin Sloane's from the old SD6, recruits Bennett to join his... whatever it is. And Sulu is one of them, as is Dr. InvisiWho, who was Bennett's original partner. And he's ordered to kill him, which obviously doesn't go quite right, given that he's still alive in the present. But given how his group seems to handle things, it's definitely now apparent that they're evil. Bennett seems to want to put his family first, though, so he's not entirely evil.

    In the present, all the action is in the hostage crisis. I might've missed something last week, but I have no idea where the Wireless chick is in all this. Though I guess her powers might not be all that useful. Anyway, Nuclear Ted goes nuts, so Parkman has to conspire with Bennett to
    keep him calm, but Eric Roberts shows up and screws it all up. Ted goes Nuclear, and in a scene reminiscent of the end of X3, Claire gives him a tranquilizer, comes out looking like Linda Blair from The Exorcist, thereby exposing her powers to Eric Roberts. So Bennett blames the Haitian and sends Claire and the Haitian off to hide, gets himself shot and his memory wiped to they won't blame him. Good times. This leaves Parkman with "the company," so he's kinda screwed. And Nuclear Ted will apparently be under constant sedation.

    Was that Missy Peregrym (sfw) as Bennett's next partner? She's amazingly hot, that'll be a great addition to the cast.

  • The Black Donnellys: So, as I mentioned when I watched the first 2/3 of the pilot online, I thought that was ok. But the last 20 minutes lost me. Occasionally in a Roger Ebert review, he'll remark how way, way, way too many movies spend the whole movie building up tension, and then when things could get interesting, they just have a shootout and end it. I felt like Tommy is the smart one, but he's in a corner so he's going to compromise his morals, make some kind of deal with the devil to save his brothers. But bang, bang, bang, the end. Yawn. I'm 50/50 on trying out the second episode.


On the Tivo: Everybody Hates Chris.

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Invisibles 324

Filmwise has Invisibles #324 up. Finally, an ok showing for me, with 6 of 8 right on my first try. #3 (pictured) and #7 are giving me fits, though. Both look very familiar. And it's especially annoying when I get close to getting all 8.

Last week's answers: I was stumped by For Your Eyes Only, 13 Going On 30, Flyboys, and Father of the Bride.

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The Big Chill - More 31 Days of Oscar

The Big Chill

Funerals for close friends and family are very confusing. On the one hand, a lot of people you love that you usually don't get to see very much all get together, which is always nice. But on the other hand, someone you care about is gone. So you almost feel guilty every time you're happy to see someone.

That's kind of where The Big Chill kicks off, A tight knit group of college friends meet up for the first time in years when one of their own kills himself. They've moved on from their idealistic college days and they're now mostly part of the establishment they had such a distaste for in college. Kevin Kline and Glenn Close are the happy married couple, and Kline is about to sell his business and make a lot of money. Tom Berenger stars in some kind of Magnum P.I. type show, but is kind of embarrassed by it. Jeff Goldblum a writer for People magazine, with aspirations of anything better. JoBeth Williams married to a safe but boring husband (and outsider to the group), but still has a thing for Berenger. William Hurt is a Vietnam vet with a drug problem and bigger issues with impotence. Mary Kay Place is comfortable being single but feels her biological clock ticking. And Meg Tilly is the deceased's girlfriend, much younger than the college friends, but, confused over her boyfriend's death, seems to gravitate to people who knew him.

A lot of great performances here, which, reading a little about it, seems to stem from the fact that the actors prepared by living together for several weeks beforehand. They all seem very comfortable in their roles, and interact together well. Also, a lot of great 60's pop tunes are worked in, which helps lighten the mood when things could drag down.

Writer-director Lawrence Kasdan (who wrote The Empire Strikes Back, but after an Oscar nomination here, pretty much retired from making fun movies) put together an interesting script, and then lets the actors take over from there. Which is all you really need for a movie like this. A pretty enjoyable film overall.

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Sunday Night TV

I guess the Oscars were tonight... I never watch the show, cause it's stupid and boring, but I'll check tomorrow to see who won what. But that means most shows were reruns tonight. Highlight for spoilers:

  • Battlestar Galactica: Mostly another filler episode, and not a particularly exciting one, but it brought up some interesting ideas. It seems that almost everyone doing menial labor in the fleet is from one of the poorer planets. And the grunts in the trillium plant haven't had a day off... basically ever. So the question of the night is whether a strike counts as just a strike or is it mutiny?

    It also kept up with the idea that the different planets are culturally different and they have prejudices against each other, as introduced a while back with the Sagittarons and their refusal to take medicine or join the resistance on New Caprica. It also came up with the Baltar end of the story tonight... apparently he's been writing a book while behind bars, with his lawyer sneaking it out to the people. And it sounds like half Mein Kampf, half Communist Manifesto, in which he claims to be from one of the working class planets. And when confronted about it, he gets to show off a Scottish sounding accent, as it's apparently the native accent of wherever he's from.

    But since the Baltar storyline continues at a snail's pace, and the idea of the class struggle is more interesting in theory than it is in execution, the episode was pretty dull. I haven't been as unhappy with the previous few filler episode as a lot of people, but this one just wasn't good. Here's hoping things pick up soon.
On the Tivo: Still more TCM stuff, but that's it. I knocked out a couple over the weekend, and am way behind in writeups. So I'll be highly productive at work this week with a lot of blogging.

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Sunday, February 25, 2007

Saturday Night TV

Rainn Wilson on SNL! I've been excited about this:

  • SNL: The good:

    • The opening CNN bit was funny, but a little sad, considering how close it's been to the truth.

    • I'm glad they got the Office parody out of the way early, and that they kept it short.

    • The singing along to Danny's Song sketch was hilarious, though... the ending was lame, but the rest was funny enough that I didn't care.

    • Another good digital short, thought it went by so fast, I'm sure I missed some jokes. And again, they kept it short.

    • The peeping sketch. Pretty weak material, but Rainn Wilson's darting eyes really sold it.

    • The Arcade Fire. I've only vaguely heard of them, but they sounded pretty good.


    The bad:

    • The weird German-type people are never any good.

    • White Possum Scream. Rainn Wilson drinking Dr. Pepper like that was funny, as was the Dunston Checks Out poster. The rest was very un-funny.


I also did end up seeing Las Vegas from yesterday. As a commenter pointed out, they had some plot twists of a more serious nature, in addition to the standard goofiness.

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Friday, February 23, 2007

Friday Night TV

For some reason I didn't record Las Vegas... I may or may not watch it on NBC's website. It's not a show I worry about missing though. Highlight for spoilers:

  • Law & Order: So famous "baseball" player named "J.P." killed his wife, but got acquitted in a high profile trial by saying the cops framed him, then lost a civil suit to the father of a victim, owes huge amounts of money to the father, but lives well off his pension, and then decides to write a book about how he hypothetically would have killed his wife, had he done it. This may sound vaguely familiar to you. Normally the "ripped from the headlines" aspect isn't quite so similar in as many details, but I think they're comfortable in thinking that O.J. would have a hard time suing for defamation of character, given that there's not much character to defame.

    In this case, the publisher turns up dead. Your standard L&O investigation, bouncing around between suspects, finally arrives at the idea that J.P. (Bobby Cannavale, who's been everywhere lately) bribed the jury in his trial via his publisher, but only the publisher knew the bribed juror's name. When the juror starts blackmailing J.P., he kills the publisher while trying to get the juror's name out of her. P.J.'s lawyer shows up, and he's Mario Van Peebles! I love that guy. Does anyone remember Sonny Spoon? That show was cool. So anyway, despite devoting two whole paragraphs to it, the episode just wasn't very interesting. I really think it's time for this show to call it quits.
  • Monk: Could it be... an actual mystery? One woman turns up dead, then a second body turns up shot, stabbed, poisoned, crushed, bludgeoned, and some other kinds of murdered. And some elite FBI unit in a super high tech bus kinda thing shows up to make Monk and the Captain feel inadequate. But in the end, no, it's not a mystery, because the guy who did it was a non-character for the episode. The only mystery was that the second murder was a distraction, which seemed kinda obvious.
  • Psych: It's the dad from the Wonder Years! Unless it's Joe Torre, but I'm pretty sure it's the Wonder Years guy. And the episode was directed by Joanna Kearns, Mrs. Seaver from Growing Pains. As an avid poker player, most Hollywood versions of poker bug me. They show pros with magic powers to stare in your soul and see exactly what you're holding. It doesn't bother me as much here, cause Shawn's always shown having powers of observation that are basically supernatural, so I'm willing to suspend my disbelief. In addition to the 80s TV nostalgia, this was fairly entertaning... most of the jokes worked. Sadly, Monk and Psych are wrapping up their seasons next week, so Friday night TV will go back to being crappy pretty soon.

NBC has started running ads for Raines, the series about a crazy detective with Jeff Goldblum. Looks decent enough to give it a shot, but for some reason I don't trust a show with a big star that premieres in March. I figure it'd get a highly promoted Fall launch if it was any good.

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Netflix Fix: Hellboy Animated

Sword of Storms

An animated feature that aired on the Cartoon Network sometime last year based on the Hellboy movie, which was based on the Dark Horse comic book. And just to make it confusing, they're apparently making a comic based on this movie (and future ones... I guess there's one due out soon). In the past seven or eight years with all the comic book adaptations, I thought Hellboy was one of the few best (Batman Begins and Sin City being the best). So I figured I'd give this a shot.

Ron Perlman, Selma Blair, and Doug Jones (Abe Sapien) reprise their movie roles as voice actors, and they threw in Peri Gilpin... for some reason. The story sees Hellboy teleported into a world of Japanese demons while Abe, Liz, and Peri Gilpin's Kate try to bring him back. And the plot was basically unimportant, it was mostly an excuse to have a bunch of action scenes.

And that worked pretty well. The animation was pretty good, the characters were very stylized and the backgrounds were very nice throughout. It's not the greatest thing you'll ever see, but I was entertained, and will be checking out the next one on the Cartoon Network (assuming I remember).

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TV Catch-up

Only one show to catch up on, highlight for spoilers:

The Sarah Silverman Program: The AIDS episode was a little off, but this was right back on track. I liked the beauty pageant storyline, mostly for how seamlessly Sarah took on the role of a pageant mother. And of course, given my love for immature humor, the "bomb" storyline worked for me. But once again, with the musical numbers... maybe they can't write enough to fill a while season of episodes without the musical filler, but really I get bored every time they go to it. At least it wasn't too long this time.

On the Tivo: Nothing.

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Prizzi's Honor - More 31 Days of Oscar

Prizzi's Honor

I checked out The Treasure of the Sierra Madre early on in the 31 Days of Oscar on TCM, and now I check in on another John Huston film. This one, much much later in Houston's career, tells the story of a mafia hitman who falls in love with a hitwoman, and, predictably, they end up gunning for each other. Jack Nicholson and Kathleen Turner star - Nicholson is predictably good, but I never cared for Kathleen Turner. She got all these femme fatale roles in the 80's, but I could never figure out how people could fall for her, she always seemed kind of mannish. Maybe it was the voice, I'm not sure.

In any case, the movie has the feel of a dark mafia comedy, like Analyze This, but without any real laughs. I'm not even sure if it was inteneded to be funny, it just had something about it that seemed too lighthearted to be serious. Plus, they had a few actors like William Hickey, who I tend to think of as only being in comedies (like his recurring role as the annoying old guy in Wings). But again, I never found anything particularly funny.

Overall, I was kind of bored. They had Jack Nicholson and a semi-surprising ending, but not much else going for it.

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Thursday, February 22, 2007

Thursday Night TV

Sick as a dog, so I'm crashing before Sarah Silverman. Highlight for spoilers:

  • My Name is Earl: Tivo cut off the beginning, so I missed the reason for the flashback to Earl Jr.'s birth. Quality moments though:

    • "For a second there we were gonna all get to dress up like clowns!"
    • "Merlin. We meet again."
    • "That, or she's banging an Asian doctor, trying to get one of everything."

    And c'mon, what's funnier than Beau Bridges chucking gerbils out a window? Other than possibly hanging a "Kids, do not touch!" note on an outlet. Excellent episode.

  • The Office: Pam is hilariously unconvincing as her new assertive self. Best parts:

    • Michael the Magic
    • "It's been sitting in my car all day with the sun beating down on the mayonnaise."
    • "Why is this so hard? That's what she said. Oh my god."
    • Creed's fake ID company.
    • Dwight inspecting the house.
    • Toby instantly going for the duck, winning it, and getting no points with Pam for it. This show loves screwing him over.
    • Jim's look of terror when Karen is playing with that guy's tie.
    • "Hey Jan." "Not too good."
    • Dwight popping out of the back seat at the end

    Now... what the F was up with Roy's reaction to the news that Pam kissed Jim? Sitcoms and murderous rage don't mix. Like the Joss episode, everyone's going to blame JJ Abrams for all the successes and failures of this episode, but I still think it's 99% everyone else. Anyway, I liked the episode, but I'm completely freaked out about the direction Roy's heading. I don't really see how that can be good for a show like this.

  • Scrubs: Continuing with the best parts theme:

    • I'd love to put my ear on her butt to see if I could hear the ocean.
    • Oh, how I love the Sarah Chalke semi-nudity.
    • I'm a genius, I totally knew the lupus question that Turk didn't know.
    • Mutton chops.

    I liked the fake relationship with Ann, the most pathetic attempt at asking someone out in the history of everything, and the "fainting when he poos" jokes are still excellent.

  • 30 Rock: More best moments:

    • "I would like to be Michelle Pfeiffer to your angry black kid who learns that poetry is just another way to rap."
    • Cerie's (sweet sassy molassey, she's hot) iPod sunglasses.
    • "I love this cornbread so much I want to take it behind a middle school and get it pregnant."
    • "I hate the troops!"
    • "Does my vulva look swollen?"
    • "You're marrying my mom, aren't you?"
    • "Lemon, what happened in your childhood to make you believe that people are good?"
    • "...and that lady you European kissed last night was actually a gentleman."
    • "Television on! Pornography!"
    • The non-spinning pinwheels.

    The agent guy was kinda funny, but the cutting words short bit got old fairly quickly. Chris Matthews looked like he was about to bust out laughing all the way through his cameo, while Tucker Carlson was showing off his range by playing a dick.
On the Tivo: Sarah Silverman Program.

I get Martin Lawrence, Tim Allen, and John Travolta embarrassing themselves in Wild Hogs, but why would William H. Macy do it too?

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TV Catchup

Finishing up Wednesday stuff, highlight for spoilers:

  • Friday Night Lights: Alright Julie coming right out and asking for sex all matter-of-factly was quite a shock. Matt's reaction was extremely appropriate, though. All their scenes were cute and everything, but I feel like a pansy for liking them. So enough about that. As usual, the best stuff came from the Taylors, who are really well written and both actors play it perfectly.

    Buddy nailed Tyra's mom, felt guilty about it, fired her, and then she showed up outside his church and hit him a bunch. Riggins was all buddy-buddy with his dad, til pops stole a camera from the team, then he went on a bender and got his ass kicked. Not much to the story, but it gets us through the falling out between them, which could've dragged on for way too long, but thankfully didn't. And in what seems to be the theme for last night's TV, a tattoo artist shows up to connect with one of our characters. In this case, Street, who's trying out for quad rugby.

    The side stories weren't too great, but the Taylor family carried the episode. I really hope this show lasts, though it's being thrown to the American Idol wolves for the rest of sweeps, which demonstrates the lack of confidence NBC has in it at this point. But if it does get canceled, I just hope they let the production team know ahead of time and let them finish out the season, and wrap things up in a satisfying way.
  • Knights of Prosperity: Alright, they sucked me back in. The montage with them playing around in Mick's apartment (with a few nice callbacks to the pilot) was funny, as was the portable toilet gag. And Maz Jobrani had a lot of funny moments this episode. Good stuff.


Tivo: Empty, except for more TCM stuff.

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Tommy - More 31 Days of Oscar

Tommy

I'm a big fan of The Who. I own the Tommy album, though it's not one of my favorites. I'd always heard the movie was lousy though, so I never bothered to watch it, but when I saw it on the 31 Days of Oscar lineup, I figured why not?

Well... lousy was right on. Some of the music is still good, but the visuals were... everything I don't like about psychedelia. Just all sorts of nonsensical garbage, including the infamous scene with Ann-Margret covered in beans. And she was Oscar nominated for this one. Crazy.

The cameos were kind of interesting. Eric Clapton showed up early on as a preacher, and looked like he really didn't want to be there. Or he was drunk. Possibly both. Oliver Reed can't sing, as far as I can tell. Tina Turner really gave it her all, but I don't think The Acid Queen really fits her particular vocal talents. The ones that actually worked well were Elton John's Pinball Wizard and, surprisingly, Jack Nicholson as the doctor. Ol' Jack has a halfway decent singing voice.

I'm glad I finally saw it, just cause now I know what people mean when they talk about the Ann-Margret bean scene. But I won't ever want to catch it again.

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Wednesday, February 21, 2007

Wednesday Night TV

Lots of stuff left to watch, but so far (highlight for spoilers):

  • Lost: What the hell was that? So Jack's flashback revealed what his tattoo means... sort of? He walks among us but isn't one of us, or Jack's a leader but lonely? Also getting that tattoo means he gets his ass kicked for some reason. And I'm totally unclear why he became so insistent on getting one upon learning that it was Bai Ling's "gift" that he looked ready to beat on her.

    And the Jack/Ben/Juliet thing kinda played out how one would expect it to play, with Jack continuing to use his expertise as leverage, but they do introduce a new character, Isabel "the sheriff" (played by Diana Scarwid, who was awesome on Wonderfalls, and was pretty awesome here). The branding of Juliet was kinda unusual.

    On the Sawyer/Kate front, nothing interesting happened. Plus it was capped by a cheesy An American Tail shot showing Alex and Karl looking at their same teddy bear constellation. I don't remember a worse Lost episode.
  • Jericho: Another show that had a long hiatus, and I have to admit, I forgot what was going on where we left off. But this episode gives us some pre-bomb action, mostly following Hawkins and Jake. Jake's in Southern California or something, struggling to find work after some mystery incident in Iraq ruined his reputation, and then he has to flee from the evil Haliburton like company. Meanwhile, Hawkins has to abduct his family to keep them out of the way of all the bombs, and there's some stuff involving the chick he was living with (including an inexplicable online chat where they have full motion video but no audio). And then we catch back up with where they left off before the hiatus, with the plane crash people showing up, including Roger, Emily's fiancee with a ridiculous fake beard, and Hawkins' girlfriend in the dramatic reveal at the end. Yawn. I've never loved this show, but keep watching for some reason
On the Tivo: Friday Night Lights, Knights of Prosperity.

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TV Catchup

Little bit of catchup:

  • Star Trek: Beyond the Final Frontier: A History Channel special, that for some reason I was told was about the history of Star Trek. But it was 90% about the Christie's auction of Star Trek memorabilia. So that kinda sucked. Also, they did show a fair number of clips from the various TV shows. So for some reason they chose to do this thing in widescreen, letterboxed for the original filmed bits, but doubly letterboxed (horizontally and vertically) for the TV clips. So that was dumb. By the end it was so auction-centric I stopped paying attention and was surfing the web mostly.
  • Law & Order: Criminal Intent (highlight for spoilers): Regular Law & Order just did a Ted Haggard episode a week and a half ago., so this seems weird. Instead of Anson Mount, CI gives us Tom Arnold in the role of the preacher who secretly hires a gay prostitute... which is a bit of a step down, acting-wise. But in this one they introduce a Richard Dawkins-type character (athiest, opponent of Intelligent Design), who ends up being the killer. We also get a ton of Goren's personal life here, between the continuing story of his mother's chemo, to his brother making a rare appearance. Decent episode, the mystery was pretty solid, but I felt like the Goren family drama was a little distracting. I'm not huge on this storyline, really.
Tivo: Empty, but it'll fill up tonight with all the stuff on at 8 (FNL, Jericho, Knights of Prosperity's last chance for me).

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Tuesday, February 20, 2007

Tuesday Night TV

Highlight for spoilers:

  • Gilmore Girls: Did I miss a scene? They had a long walk for gas to Naugataugatuck or whatever New England-y sounding town they had to get to, and I was thinking "wow, those shoes look like a bad choice to walk in," then they cut straight to Friday night dinner. A stressful Friday night dinner, but one that featured the best line the show's had in a long time: "Golf is really more like Richard III, you know? They're all hunched over." Lorelai and Emily had some nice scenes, but I'm not sure I buy mopey Richard. Even post-heart attack, he seems too proud to sloth around like that. Logan's story was kinda funny though. "Hey buddy, you're completely broke, ruined. In old movies you would have no clothes and be pictured wearing a barrel with shoulder straps. Oh, and happy birthday!"
  • Veronica Mars: Three different plots going at once:
    • Coach mystery: Oh hey someone, I think on Televisionary, mentioned the peanut allergy as a possibility. It's probably a bad idea to mention Caged Heat in front of an ex-cop and his hot prisoner daughter. Great to see Vinnie Van Lowe back, even if his appearance is mostly pointless. The jealous husband thing had to be a red herring, just cause there were no clues to that at all in the previous episode... but doesn't Doctor/Patient confidentiality still apply after death? And I was sorta right (edit: I thought I mentioned it here last week but I guess I didn't) that the assistant coach having more dialogue than an extra normally should turned out to be sorta significant.

    • Dean mystery: Holy crap, Lamb died? I'm not sure how the whole Richard Greico thing ties in. And who bugged the professor's phone if Veronica and Keith didn't? Vinne Van Lowe? I'm confused about a lot of things, but it's blissful confusion. I love this plot... but I hope it wraps up soon. It seems a lot more complicated, at least to me, than the past extended mysteries. I think one episode dedicated to the Dean's murder to wrap things up should do it.

    • Non-mystery stuff: The scavenger hunt seems like a really bad idea. Mostly cause I can see kids drowning trying to get to that buoy. But I was glad to see them not win, I don't know why.
  • Law & Order: SVU: I hate it when they get hot guest stars, cause inevitably something awful happens, and I feel kinda creepy for finding them hot. This week, Ashley Williams (sfw), who is stupidly cute and usually seems kinda fun/goofy. But fun/goofy doesn't really apply since here she lost her baby, got accused of killing the baby, then hung herself. Creepily, still cute. So then it turns into a custody battle after the biological abusive father shows up to challenge the drug mule compulsive gambler ex-husband. The second half was pretty dull. But have they written Munch and Finn off this show? I don't remember the last time I saw either.


On the Tivo: L&O: CI, that History Channel Star Trek thing.

Caught a commercial for regular L&O, and they're "ripping from the headlines" the OJ If I Did It book. Remember when it was unpredictable, gritty, and original?

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TV Catchup

I forgot I recorded that history of Star Trek thing Monday night, but I still haven't watched it. Caught up with EHC, and watched some March premieres online. Highlight for spoilers:

  • Everybody Hates Chris: Chris cuts school to see Ghostbusters, his dad stands in line at the DMV, and his mom visits the younger kids at school and is a huge bitch. And at one point, Greg pulled bottled water out of his backpack. I guess technically it might've existed in 1984, but the odds of a kid outside of a country club drinking it seem pretty remote. A few good moments here and there, but another sub par episode.
  • The Black Donnellys (pilot online here): I only made it through 3/4 of the episode, not cause it was bad, just cause the player kept cutting out on me. I was interested enough to watch it when it comes on. It has a few funny moments, but I'm curious how it works as a series. The pilot is framed around a guy telling the cops a story... maybe the pilot wraps up in such a way that it launches into a series, but I haven't gotten that far. If not, I don't see how he can keep stretching his story over 13 hours or whatever to fill a season.
  • The Winner (first four episodes online here): I watched two episodes. The pilot was weak, only Rob Corddry's performance made it bearable, but the second episode was actually pretty good. I like the random Wings references. I'll probably end up watching the first season, just cause there's a shortage of comedies on tv.
Still on the Tivo: The aforementioned Star Trek thing.

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New Invisibles

Filmwise has Invisibles #323 up. A second straight poor showing by me, as I'm only able to figure out 4 of them. Two look like I might have at least seen the movie, another vaguely familliar, but the black and white wedding could be just about anything.

Last week's answers: Stumped by Fatal Attraction, The Devil Wears Prada, First Blood, and Being There.

And sticking with the trivia type theme, 7pm ET tonight is the last shot for online auditions to VH1's World Series of Pop Culture. Of course, I should be trying to thin the competition... so... it's not at 7. The website is lying. Show up at 8. Yeah, that's the ticket.

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Monday, February 19, 2007

Monday Night TV

Highlight for spoilers:

  • Prison Break: Interesting to see the warden back, though I'm not sure I buy that quick a turnaround. I had no idea Ixtapa was in Zihuatanejo (or possibly the other way around), probably a Shawshank Redemption reference that fanboys spotted a year go. The smoking doctor... I mean, I'm sure free clinics are crappy, but that seemed over the top. But you do feel sympathetic for C-Note. But on the topic of sympathy, I didn't really need that T-Bag flashback sequence. I like him better as just crazy with no real explanation. Sometimes the bad guys are better off bad. Sarah screwing over Kellerman was kinda funny. But how telegraphed was the warden letting Schofield out of the deal? Really I liked this one. I've mostly just been sticking with it because the first season was good and I wanted to see it end, but this was a pretty exciting episode.
  • Heroes: Putting a scene before the previouslies was kinda cool. And I know that wireless actress from something. But there's so much crossover, I have no idea how to compose my thoughts in any way other than a random list:
    • I've enjoyed the "maybe Claire's dad is evil, maybe he isn't" thing, and him giving Isaac a gun is great in that it works both ways (kill him cause he's a good guy or kill him to save the world?).

    • Sylar was doing a great job selling Mohinder on how helpful he was, but the creepy "I can feel them"/destiny speech was a pretty bad idea on that front. And I have no idea how he's supposed to cover the fact that every powered person they meet gets killed by Sylar.

    • Holy crap, when Peter gets cornered he turns into Superman.

    • I had no idea Parkman's wife was played by an Aussie actress, but the second she got upset her accent became obvious.

    • Has Stan Lee ever had a cameo that wasn't "hey, look at me!"

    • But that went from lame to awesome in a heartbeat, with Parkman, Nuke-boy, and wireless chick showing up at the Bennett's, and the confrontation between Isaac and Peter.
  • Studio 60: When Matt said Samuel Taylor Coleridge I thought Rime of the Ancient Mariner was his most famous. "Water, water, everywhere but not a drop to drink"? That's pretty famous. And Jordan's practice baby was totally ripped off of Newsradio, when Joe gave Lisa an electric infant as a wedding present. "When you're practicing nursing, don't put it on high." As usual, the best moments come when Timothy Busfield is on screen... the baby beheading was hilarious. Also, aren't all paramecia single-celled?


    At first I was weirded out at Matt's reaction to the concept of guys discussing how they wanted to have sex with Harriet, cause that's just how guys tend to operate. It was obviously inappropriate to do at work especially in front of a woman, but not shockingly so. But then yeah, the church-themed debauchery was pretty wrong.

    Sounds like this might be it for Studio 60. Not a great ending point, not a great show. If they've got anymore episodes in the can, I hope they show up over the summer or online or something. As frustrating as it's been, I still keep feeling like there's something there.
On the Tivo: Everybody Hates Chris.

Wow, Blades of Glory. That looks awful and hilarious.

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Netflix Fix - The Illusionist

The Illusionist

Excellent acting, some very cool visuals, mediocre dialogue and plot. That pretty much sums it up, I think.

It's probably unfair, but The Illusionist can't help but be compared with The Prestige. Both were set, I think, in the late 19th century, both revolved around magicians performing apparently impossible tricks, and they were released within a month or two of each other. It seems completely random that I saw The Prestige in the theater, but waited until the DVD came out to catch The Illusionist, especially given that Edward Norton and Paul Giamatti are two of my favorite actors, and that Jessica Biel is one of the best looking women on the planet. But I think I chose wisely. Not a knock against The Illusionist, really, but The Prestige was one of my favorite films of the year. The Illusionist was a decent way to spend a couple hours. Worth seeing, wouldn't want to see it again.

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Sunday, February 18, 2007

Sunday Night TV

Good night of TV, which is now pretty standard for Sundays. Highlight for spoilers:

  • The Simpsons: I actually thought the gag was going to be that Prof. Frink's time machine prevented Homer from inventing the condiment pen. Pat Summerall's Smut Yuks sounds like a hilarious joke book. "What the... I've been writing creepy letters to that?" Ok episode, nothing special.
  • King of the Hill: I usually love the Bill-centric episodes. They always find the right balance of pathetic and heartwarming. But this one just fell a little short on the funny.
  • Family Guy: MS = Monkey Scrotum? A few of the jokes really worked this week, and I sort of liked the Stewie tanning storyline. The Fran Drescher/Gremlins joke started out lame but the head in the microwave killed me. And the Britney Spears bad mother joke, and the Three's Company bit were both classic Family Guy. And "whoever can swallow the most Tylenol PM wins!" was excellent. Best episode in a while.
  • American Dad: The Da Vinci Code parody was ok, though the Jenga thing was weak. Arrested Development did the exact same "set a scene in a Burger King to cover production costs" joke, only much funnier. But the wikipedia joke at the end was excellent. For the first time in a while, though, I liked the night's Family Guy better than American Dad.
  • Extras: De Niro was weird in that he didn't make fun of himself the way everyone else has. But this one, while still funny, was more about story, a nice moment at the end with Maggie. I really hope this isn't the end of the show, because it's absolutely hilarious.
  • Battlestar Galactica: The intro kinda confused me at first. One of the dangers of the Tivo is that you see something weird and rewind it rather than waiting to see if it explains itself. Adama having waking hallucinations though means he's a cylon, obviously. Apollo seems like a ridiculously random choice to head a legal committee. But man, "I don't think she ever loved you"? Ouch. But it seems like it prompted him to grow some balls and at least address the tension with the President.

    Not long after Studio 60 does the lame sitcom "trapped on a roof" thing, BSG gets the Chief and Cally stuck in a leaky airlock. More exciting this way, but the exact same device.

    And again with the bonus scene, which just irritates me. Is it in continuity or not? I have no idea.
Tivo: Few TCM movies left. I watched a bunch and haven't written them all up, but I'll get around to it.

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Saturday Night TV

No new SNL last night, so I checked out the competition (no plot, so no spoilers):

  • MadTV: This show still doesn't make me laugh. That is all.
  • Talk Show with Spike Feresten: I've checked it out a couple times before, and I can't imagine it will last long, but there's something incredibly likable about the show. Totally awkward interviews, amateurish across the board, but the writing is top notch, and it sort of has the feel of early Conan O'Brien shows. Like Conan, Spike Feresten is a writer by trade (most notably for Seinfeld) and his jokes are often self-deprecating. Also like Conan early on, he brings plenty of energy to everything, but he is not entirely comfortable when not on cue cards. But if given enough time to grow into the role like Conan did, he could really be good at this.

    The comedy bits are pretty good (not surprising given Feresten's writing experience), and featured Newsradio writer Joe Furey, which is nice to see. It's also kinda cool that they like to work the guests into the comedy. This week's guest, Melinda Clarke, did a "Head On" commercial parody, and read a series of jokes about what would've happened if her Seinfeld guest star appearance (on an episode Spike wrote) had lead to a relationship behind the scenes between her and Jerry. This isn't great TV, but it's not bad. If you've got nothing to do and SNL is a rerun (or you just don't like it), it's worth checking out.
SNL's back new next week, hosted by The Office's Rainn Wilson, so that should be worth checking out.

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Hannah and Her Sisters - More 31 Days of Oscar

Hannah and Her Sisters

I've seen a few Woody Allen films here and there, but I hope to kind of fill in the gaps, because even though I don't tend to love them, there are always some great moments.

Here, Mia Farrow, Dianne Wiest, and Barbara Hershey play three sisters who struggle with relationships. Michael Caine is married to Farrow, but lusts after Hershey (kinda creepy that Woody would write a movie about a guy wanting to leave Mia Farrow for her sister only about ten years before he leaves Mia Farrow for her daughter). Max von Sydow is Hershey's live-in boyfriend, but he's a moody artist who's intolerant of everyone but her. Woody Allen is Mia's ex-husband and a hypochondriac. Wiest and her best friend Carrie Fisher meet Sam Watterson at a party and their friendship is strained over which one will end up with him.

It was weird to see Dianne Wiest and Sam Watterson sharing scenes, having seen them many times on Law & Order together but looking 15 years older. I apparently missed cameos by Julia Louis-Dreyfus and Lewis Black, but I did enjoy catching a young John Turturro as a pissed off writer.

As usual for Woody Allen movies, his character is neurotic, funny, and philosophical. Here he goes through a cancer scare, which sends him on a quest to find religion. Plenty of laughs here, and some interesting thoughts.

But also typical for me and Woody Allen movies, I wasn't grabbed by the story, or all that many of the characters. I appreciate that they're all well-crafted and distinct and real, but maybe I'm just not at a point in my life where I understand certain impulses... like old boring Michael Caine having an attractive, interesting, and sweet wife and wanting to leave her for her sister.

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Saturday, February 17, 2007

Tootsie - More 31 Days of Oscar

Tootsie

No idea how I never saw this one. But what a fun movie. Dustin Hoffman is full of energy, Teri Garr is adorable, and Bill Murray is absolutely hilarious. Remember when he was just funny? Not that I don't still love his current projects, but I miss the straight comedy stuff. I don't think he's done anything like that in... at least 5 years. The Bosley part in Charlies Angels, maybe? Dabney Coleman, Sydney Pollack, and the guy who plays Tommy's father on Rescue Me were great too. And that guy who played the Commandant in the Police Academy movies is always amusing. I've never cared for Jessica Lange or Geena Davis though, but they don't really get in the way.

It's kind of surprising, given the tremendous number or predictable gender-bending jokes and the fact that Mrs. Doubtfire played the same way a lot and I'd seen that a long time ago and didn't really care for it, that I enjoyed Tootsie, but something about it really worked. Probably just better writing, direction, and less Robin Williams hamming.

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Friday Night TV

Not a great night of TV. Psych was ok, the rest pretty bland. Highlight for spoilers:

Las Vegas: Morena Baccarin! Checking her IMDB page, she's been busy since Serenity, but hasn't been in anything I watch. Can't blame Mike for falling for her, though. But if I was that dude with the three wives, I think my other two wives would feel kinda neglected. I wonder if Jimmy Caan had Misery flashbacks filming all his scenes in bed.

Law & Order: Who plays strip chess? I thought the illegal alien and the Muslim being the top two suspects was a little too convenient, and the show tends to have a liberal slant, so I was not to surprised when it turned out to be a white dude.

Psych: I was worried it was going to be a Gus-less episode, cause the interplay between him and Shawn is my favorite part of the show... but hooray for fake broken grandmother hips! "She had a plaque on the wall, Employee of the Month. Her hobbies were hiding and lying about hiding." I would so wear an Airwolf windbreaker. Anyway, the Lassiter/Henry friendship was kinda interesting. I thought Lassiter would be the one to screw it up, just cause he's so much more uptight, but I was way off.

Left on the Tivo: A plethora of old movies.

I thought there was a new Monk tonight for some reason, but I was misled... or stupid.

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Friday, February 16, 2007

TV Catchup

Most of these weren't in top form, but still entertaining. Highlight for spoilers:

  • The Office: A lot was made about Joss Whedon directing, but TV directors don't really do that much. Maybe the bat/vampire bit was in honor of his directing, but I think mostly the director's job on a series is to keep the feel of the series intact... and make sure everything gets done on time.

    The episode was pretty average for the show. Michael was back to normal levels of embarassingness after two straight episodes of extra nuttiness. His Mr. Handell story was fantastic. "Really ruined 8th grade for us...." The vampire jokes were ok, but they were carried entirely by Dwight's paranoia. And Creed is never not funny. And while I normally don't like the parts that aren't just straight comedy all that much, having Michael come through as the hero in the end for Pam was a nice touch.
  • My Name is Earl: If that's all Earl ever did to the one legged girl, she's some kind of nut. Obviously that's uncool, but that's the kind of thing you get over eventually. Weird episode, though. Just a big pile of things Earl's done wrong. And the key party thing was obviously bad, but they set it up like it was the worst thing he'd ever done, and it wasn't super evil.
  • The Sarah Silverman Program: Alright, this was not as good as the other ones. The part with the questions to assess her risk was pretty good, but as soon as she went on her crazy mission they mostly lost me. Though for some reason Laura not getting upset at the blown $17k cracked me up.
  • Smallville: Bowling shoe spray guy couldn't have been more obvious about hitting on Lana without getting slapped or arrested, yet she was completely oblivious. Chloe having meteor powers is kind of an interesting idea. She has inexplicable hacking powers, should've died like eleven thousand different times, and has broken dozens of the craziest (but still true) news stories in the world. Meh, and Lex is evil. I hate this show and I can't stop watching.
On the Tivo: A billion TCM movies, that's about it.

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Thursday Night TV

Was kinda tv-ed out from catching up on Tuesday and Wednesday, so I only caught a little of tonight's stuff. Highlight for spoilers:

  • Scrubs: With all the plot recently, this was mostly a treading water kinda episode, story-wise. Nothing really happened, which was pretty nice. Just a bunch of goofy jokes. I'm guessing it's overloaded right now, but TheToddTime.com isn't loading for me. I'll have to check it out later. I also love that the janitor signs his emails "Janitor." The Milos the surgeon plotline though, just reminded me of Milos the janitor from Newsradio. Not a great episode, but enough laughs to work.


  • 30 Rock: How unbelievably great is this show? Rip Torn! I kinda saw the Tracy not having a daughter thing coming, but it was still pretty funny.
    • "It turns out she asked him to take it out."
    • "They're very good at sensing debilitating loneliness in a person."
    • "Damn straight, I'm delightful."
    • "Don't tell me to calm down, you fungdark."
    • "Do you like the new me? And before you answer, Superballs!"
    • "I will fire you, and you will never alter drapes in Atlanta again, because you do not cross a Sugarbaker woman!"
On the Tivo: Smallville, The Office, Earl, Sarah Silverman.

Hey, whoever writes those NBC promos? Don't tell me what I'll be talking about tomorrow.

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Thursday, February 15, 2007

TV Catchup

Lots of catchup. Highlights for spoilers:

  • Bones: I like seeing Booth's shrink back. Their scenes together are always nice. I do not like seeing Agent Multitalented back. But it kinda seemed like Meredith Monroe was completely underused.

    Meredith Monroe kinda looked like Cameron Richardson here. I never watched The Creek, but MM's nice looking and not a bad actress at all, so it seems like a waste to just have her on for three seconds.
  • Friday Night Lights: Damn, this show is good. Everyone's pushing all-in this week. Smash and the rest of the black players put their futures on the line for their walkout, Saracen puts a lot of money up to try to get Julie back, and Street's ready to dump his education for quad rugby and a G.E.D. Plus the whole season's out there hanging in the balance - the JV squad shows up to try to fill in for the walked out guys, and if they have to play, the upcoming playoff game will be a joke.

    A couple really great scenes. Coach asks Tami for her advise as far as firing Mac, as guidance counselor, as his wife, and as his friend. Riggins swallows his pride and tells Smash that the team needs his leadership, and Smash throwing Mac's white players/leadership comments back in his face. And Mac handing in his resignation... he seems to look racist sympathetic all at once, which is hard to pull off.

    The whole situation plays out in shades of gray. If you know a guy is a good man and he's truly sorry for his mistake, do you punish him for a big mistake? Is it worth sticking to your guns over one guy if it might mean your education? Plus the game ended in victory, but in the worst possible way. Mac gets a shot at semi-redemption when he chases off the cops who want to blame Smash for the whole incident. So they win and move on, but it's not like everything is wrapped up in a neat little package.

    Oh, and Landry hitting on Tyra was kinda hilarious, as was his "look them in the eyes, not in the rack" comment.
  • Knights of Prosperity: Yikes. The whole montage of attempts to get into the club was supposed to be funny, but it was devoid of laughs. Esperanza's ex, drug lord Enrico (played by Bobby Cannavale from Third Watch), had a couple good lines, but that was about it. As much as I like the cast, the show is really struggling to make me laugh. And with the Mick Jagger thing seemingly wrapped up, I think this would've been a good place to end, but I think it's going to keep limping along for the rest of the season. I might be done with it, though, I'm not sure.
  • Law & Order: Criminal Intent: I feel like the intros to this show have really changed of late. It used to be the eerie music would slowly swell as they showed a series of disjunct scenes leading up to a body being discovered, and the scenes would be clues to the eventual solution of the mystery. But last week we had the "Under Pressure" montage cutting between the Aaron Burr/Hamilton reenactment and the sniper, this week we get a guy plugging a CD dissolving into a Tupac/Biggie-style rap murder. Fab Five Freddy played the rapper though, which is kinda cool.

    The mid-episode murder felt much more like how the show used to work. The first person shot of murderer, the music coming up, all that. I realize that the whole "talking to the cops gets you killed" thing was crucial to the plot, but I feel like they way overemphasized it. Between the undercover guy, the DJ, the white rap mogul guy, and the guy they confronted in his apartment... I mean, we get it already.

    I'm still not entirely sold on Julianne Nicholson though. I liked her on Conviction ok, but I buy her as the cute girl, but the tough cop with the boy's haircut (I'm not 100% sure, but I think they're trying to go with a lesbian angle with her... she had a lesbian mechanic hit on her earlier this year in front of Logan which she ignored, but did she ignore it cause she's straight, cause she wasn't interested, or cause it was in front of Logan?).
    My least favorite part of the episode was the killer getting shivved at the end, though. Meh.
On the Tivo: nothing.

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Wednesday, February 14, 2007

Wednesday Night TV

Second straight night out, so I'm way behind. Highlight for spoilers:

  • Lost: I'm sure everyone caught the Wizard of Oz thing with the red shoes, but I wonder how many people got the Out of Sight reference... Desmond should've gone and robbed a bank.

    Anyway, I tend not to like including time travel in stories that aren't entirely about time travel... it ruins the continuity of things. But I kinda saw this coming with the backwards talk and History of Time stuff that popped up on the interweb this week, and it's not so bad cause at least he can't change the past really. But hey, a question asked (how is Desmond seeing the future?) and answered! Lost is moving forward. Good times.

    For some reason, I'm picturing the Desmond/Charlie thing going forward like one of those cartoons. You know... the ones where the dog gets left in charge of the baby, and the baby gets distracted by something shiny wanders off into a series of improbable near accidents, and the dog keeps barely rescuing the baby, but the dog takes a beating in the process? Robert Smigel's Comedy Central show TV Funhouse did an awesome parody of those where instead of just a baby, it was a baby, an immigrant, and a guy on mushrooms. And a ridiculous tangent seems like a good place to wrap this up.
On the Tivo: L&O: CI, Friday Night Lights, Knights of Prosperity, Bones.

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TV Catchup

Quick catchup on some Tuesday stuff, with more to come... highlight for spoilers:

  • Law & Order: SVU: I'm normally not bothered by the wrongness of the crimes, but that candlestick was huge... nasty. Between the lame Jersey accent and the newfound portliness, I didn't recognize Cary Elwes until the episode was almost over. It was a decent episode, but damn I hate when the commercials ruin stuff like that. The suspect dying was a huge twist, and happened like... 40+ minutes in. But the commercial was "I'm ruling the death a homicide/You know as well as I do Elliot would never murder anyone." Would it kill them to advertise the drug angle, the mob angle, the nasty crime angle, or anything other than the one that would ruin the surprise?
  • House: I never get tired of House being an asshole to his patients. And Cuddy. I feel like I've seen the whole Darkman can't feel pain thing on medical shows many times before, but I can't think of an example.

    All the doctors standing around watching House operate (and the girl leaning forward looking into her open stomach) was a cool scene. And the camera phone was a nice touch And if Chase is offended by being microwave pizza, I'd happily step up..

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Atomic Comic Collection Connection

Ex Machina Vol. 1: The First Hundred Days
by Brian K. Vaughan and Tony Harris.

Arnold Schwarzenegger runs California, Jesse Ventura ran Minnesota, why can't a former superhero run New York City? That's the idea here.

Mitchell Hundred gains the power to speak to machines, hear their thoughts, and, most importantly, tell them what to do. Some of his friends convince him to be a superhero, so he runs around fighting crime for a while, but then decides he could do more good in politics, hangs up the helmet and jetpack, and launches a long-shot campaign for Mayor of New York City. A catastrophe leads him to don the superhero getup one last time, and his headline-grabbing heroics propel him to victory in the election.

But that's just where the story starts. Hundred is an independent, narrowly elected, the press is skeptical, the city council doesn't much care for him, and running New York City causes a whole host of problems. And there are constant questions about his powers and his history as a vigilante.

The book mixes West Wing-style politics, random tidbits of New York history, and flashbacks to superhero action. The dialogue is fun, the political discussion is interesting, Harris' art is top notch, and the plot is often surprising.

And having previously mentioned Y: the Last Man, also a Brian K. Vaughan book, I obviously like this guy's work a lot. And he keeps a blog, which is worth a look, if you're also a fan.

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30 Rock/Studio 60

One of those New York gossip columns has a pretty amusing story from the WGAs:

Tina Fey dissed archfoe Aaron Sorkin Sunday night at the Writers Guild Awards. The "30 Rock" star competes with Sorkin's "Studio 60": Both take place behind the scenes at a show like "Saturday Night Live," where Fey was head writer. Wiggling around the Hudson Theatre stage in a party frock with plunging decolletage, Fey told the crowd, "I hear Aaron Sorkin is in Los Angeles wearing the same dress - but longer, and not funny."
I like Studio 60 (mostly), but that's still damn funny. The "archfoe" thing is weird, though. Given Sorkin's reaction to recent criticism, he might think of Tina Fey as a foe of sorts, but I can't imagine her having more than a casual dislike of him. When everyone was on the Studio 60 bandwagon before the season started, 30 Rock had some fun at their own expense, with those ads that had Alec Baldwin thinking he'd signed up for the Sorkin show, so it seems like Tina Fey at least has a bit of a sense of humor about the situation.

Via Defamer.

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Tuesday Night TV

Got kinda busy tonight, so I only watched GG and VM. The Tivo will be backed up for a while, I bet. And the 31 Days of Oscar might turn into 131 days for me - they're really starting to pile up. Highlight for spoilers:

  • Gilmore Girls: We continue this week with the "Logan good, Christopher bad" thing, plus a dog funeral storyline. Rory was all fascinated with Logan's newfound awesomeness, but Tucker Colbertson, who sounds like a satirical bowtied TV news pundit but apparently is the handsome new TA, shows up and Rory does everything short of sniffing his hair when he's not looking. But I think having seen the Luke/Logan mess, she feels the need to confess to Logan, who continues to be super cool about everything. The funeral arrangement of "My Heart Will Go On" was surprisingly touching (I know, I'm a pansy), and Lorelai starts to get all choked up. Kirk returns for about a minute, then leaves and won't be seen for another 5 episodes, which is a crime.

    Connecticut has a 12% sales tax? That can't be right, can it? It was 5 or 6% at the Friendly's in Enfield about ten years ago. And my Tivo put the last two minutes of GG in the Veronica Mars recording, which had me pretty worried that the end of VM will get cut off. But it turned out ok. I might've missed a second or two of the closing GG dialogue, though. In any case, it's nice to see the Christopher marriage thing wrapping up, since that's a good sign that the show will end this year. They have to end it with Luke and Lorelai together, and if they'd waited longer to break up the marriage, the Luke thing would've felt super rushed.
  • Veronica Mars: Occasionally, they do make Dick seem like... not a dick. He's trying to help Logan out, though there's always a touch of dick/Dick in everything he does. "You're not still looking for the fire, right?" has to be the best line of the show. But he ends up ditching Logan with the younger sister of a young lady he's trying to bed, and the sister plays About a Boy (or girl) to Logan, and starts get him out of his rut, until an amusingly awkward elevator scene sends him right back rutward. But a final bit of sympathy for her has Logan back to normal-ish.

    Wallace is back (at the expense of all of Veronica's other college friends, who were absent), and since the coach hates Mason, who should be starting instead of him, Wallace is starting. At least until his coach turns up dead. The coach's son pulls a Matlock defendant: he finds the body, gets himself covered in blood, and flees the scene. At least he didn't get his prints on the murder weapon first. Mel Stoltz gets brought up as a potential suspect to Keith, who's on the case, and I get the impression Stoltz is the mystery dude who met with the Dean to get the frats back on campus. But Mason instantly becomes a suspect too when he steps forward as a witness against the coach.

    Who on earth was the guy in the top bunk in Josh's cell? He's obviously important... and probably in some way involved in the escape. I was weirded out at how generous Veronica was with the coach's son. Normally she's suspicious of everyone, but she's baking cookies for him? And I guess the kid escapes, having already eaten the cookies, and the cops find the hollowed out book, so they assume she baked a cake with a file inside it or whatever.

    The suspects in the Dean's murder seem to be down to Mrs. O'Dell, her son, and Landry. I love how they're consistent with the small parts... in this case, two hotel employees return. Including Ratner, who gives the Mars crew a hint ("two guys arguing") that the dean showed up there that night. I like the random Kiss Kiss, Bang Bang references, cause that movie rules. Also, I'm pretty sure if my daughter went to a college where the Dean and basketball coach were murdered, and a serial rapist went nuts... I might pull her out of there.
On the Tivo: House, both Law & Orders, 5 old movies and counting.


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